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Antonio Salas Díaz
Born in Caracas the 8.5.1887 18.3.1974 Died in Caracas 
history painter known, according to Arturo Uslar Pietri virtue as an artist has been painting for teaching history. His real name was Antonio Salas Díaz British. His father, José Antonio Salas, was one of the first traders who established a brewery in Venezuela. The studies began painting at the Academy of Fine Arts in Caracas
. After winning first place in the annual competition of the Academy (1901), travels to Paris in 1905 to enroll at the Académie Julian where he studied under Jean Paul Laurens. During this time also attends the school in La Grande Chaumiere where he studied the painters Lucien Simon, Courtois and Prinet. That same year, submitted a work to the official Salon in Paris. In 1906, he won a gold medal for his composition The San Genaro. During this period he traveled to Italy, where it is impacted by the work of painters Tiepolo, Tintoretto, Titian, especially, for the historical genre cultivated by these teachers.
Between 1907 and 1908, he traveled to Spain where he painted a series of works based on the observation of scenes and customs.
In 1908, gets the gold medal at the Brussels Expo. He returned to Venezuela in 1911 and brings the triptych of Simon Bolivar which is currently in the Federal Palace. The historian Vincent Lecuyer, to advise the work of restoration of the Casa Natal de Bolívar, Tito Salas entrusted the work of decorating the walls of the building with scenes from the life of the Liberator (1913). During that time, Chambers produced among others, the following paintings: The migration to the East, The Marriage of Bolivar and Maria Teresa, Expedition of
Keys, The earthquake of 1812. Upon completion of his work in the birthplace (1931), Salas is commissioned murals for the National Cemetery, which ends in 1942. Although his work as a painter of historical subjects has overshadowed his work as a landscaper, do not forget that highlights Salas Among the artists who have contributed to developing the tradition of modern art in Venezuela since 1900. By the
end of his life, at home remote colonial worked intensively works Petare medium and small format. In 1970, shortly before his death, painted rooms to the presidential residence "La Casona" in Caracas, a work entitled the successors, which represents a set to the presidents of the Republic of Venezuela that ruled during the nineteenth century. 
history painter known, according to Arturo Uslar Pietri virtue as an artist has been painting for teaching history. His real name was Antonio Salas Díaz British. His father, José Antonio Salas, was one of the first traders who established a brewery in Venezuela. The studies began painting at the Academy of Fine Arts in Caracas . After winning first place in the annual competition of the Academy (1901), travels to Paris in 1905 to enroll at the Académie Julian where he studied under Jean Paul Laurens. During this time also attends the school in La Grande Chaumiere where he studied the painters Lucien Simon, Courtois and Prinet. That same year, submitted a work to the official Salon in Paris. In 1906, he won a gold medal for his composition The San Genaro. During this period he traveled to Italy, where it is impacted by the work of painters Tiepolo, Tintoretto, Titian, especially, for the historical genre cultivated by these teachers.
Between 1907 and 1908, he traveled to Spain where he painted a series of works based on the observation of scenes and customs. In 1908, gets the gold medal at the Brussels Expo. He returned to Venezuela in 1911 and brings the triptych of Simon Bolivar which is currently in the Federal Palace. The historian Vincent Lecuyer, to advise the work of restoration of the Casa Natal de Bolívar, Tito Salas entrusted the work of decorating the walls of the building with scenes from the life of the Liberator (1913). During that time, Chambers produced among others, the following paintings: The migration to the East, The Marriage of Bolivar and Maria Teresa, Expedition of
Keys, The earthquake of 1812. Upon completion of his work in the birthplace (1931), Salas is commissioned murals for the National Cemetery, which ends in 1942. Although his work as a painter of historical subjects has overshadowed his work as a landscaper, do not forget that highlights Salas Among the artists who have contributed to developing the tradition of modern art in Venezuela since 1900. By the 
end of his life, at home remote colonial worked intensively works Petare medium and small format. In 1970, shortly before his death, painted rooms to the presidential residence "La Casona" in Caracas, a work entitled the successors, which represents a set to the presidents of the Republic of Venezuela that ruled during the nineteenth century. 
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