Saturday, December 26, 2009

Dubai Best Gold Coin Shop

Iman Maleki Iranian Artist. (Tehran, 1976)


Iman Maleki (Tehran, 1976) Iranian painter. This artist is little known, but their works are works of art beautiful, for any painter is a magnificent cry to plastic art from an early age
felt the vocation for painting, graduating from the University of Art Tehran as a designer and studied with the best hyper-realistic painter of Iran, Morteza Katouzian, perfecting a technique detailed almost photographic realism. He was awarded the William Bouguereau and the "Chairman's Choice" at the Second International Competition Art Renewal Center. Some consider him the best painter of realist art in the world. His paintings m ur simplicity of the Iranian people and the harshness of reality in that move, with occasional poetic touches and surrealist painting everyday life of the Iranian people, is considered by many as a realist with perfect touches on their strokes, perfect expressions and nuances in their work, presented their creations a reality in the painting that few painters have been able to achieve, is one of the Iranian artists with exceptional ability in the arts ..

Some consider him the best painter of realist art in the world. "His drawings compete with digital camera 10 Mega pixels ", say experts on the matter.
Others see it as a hyper-realistic painter. Realistic Art


realistic art is configured as a movement that tries to capture the reality objectively. It extends to all fields of human creation but had a special importance in the literature. In the case of the fine arts, realism achieved the maximum expression in France, almost exactly in the middle of the nineteenth century.

the birth of realism nt

Since earlier times revealed a weariness of the Romantic values \u200b\u200band the desire among the most restless artists to incorporate more direct experience and objective in their work. The process is gradual but quick, and between romanticism and realism established continuity, but their ideological and formal approaches are very different.

also establishes a complex relationship between realism and the academic, because there is still competition between the two clear. It is also true that they influence each other. Thus, while realist painters are sample excluded from major official academic painting showed its increased attention to the direct observation of nature and reality of the moment.

realistic art Ideology

From an ideological point of view, realism is linked to socialist ideas more or less defined. Although clear differences between different authors, it is generally seen an interest in the situation of the underprivileged classes of society resulting from the Industrial Revolution. Some, adopting an attitude absolutely committed to the interests of the proletariat, participate in political events and makes a combative art. Others maintain a more moderate stance, and somehow sweeten his vision of reality.

All share an aesthetic based on the direct representation of reality. The way materializes this basic principle objective ranges from the harshness of Courbet to the graphical simplification Daumier, idealistic filter through of Mollet. In any case, all share the radicalism of the topics to the importance they attach to the romantic theme and scholarship, the realistic art understands that there is no trivial issues and that, therefore, any question may be the subject of pictorial interest.

This approach is extremely important in a time when the paint is subject to special rules of official criticism: the issues, attitudes, compositions and even the tables measures must conform to these rigid criteria. In this situation, defend a realist painter painting without argument, a simple abstraction of reality, which essentially is the way it represents the image and sound, not its narrative development.



realistic artists Gustave Courbet (1819-1877) is a realist painter who maintains a strong political commitment more personal. Like Delacroix, he believes the painting is a powerful tool in the fight to defend their ideas. However, Courbet distance very clearly from its predecessors in the way of understanding art.

Courbet rejected the reality that surrounds him, but instead of fleeing, what you do is show us in all its rawness to share with him the same feelings of rejection and, consequently, react against.

Jean-François Millet (1814-1875) is one of the most controversial figures of French realism. His painting has undeniable appeal that has won him favor with the public. However, critics and historians have accused him of betraying the true spirit of realism poruq sweetens over the life of the peasants, his great theme, to make it acceptable to bourgeois taste.

Honoré Daumier (1808-1879) is another great realistic art. He was a painter, sculptor and cartoonist, and in all its facets is shown as a keen observer of reality ready to criticize hardness, but also with a touch of tenderness.



Hyper-realism is also known as photo-realism or radical realism, the hyper-realism school of painting is the absolute realistic trend of history. The Hyper-realism aims to offer a version minutes itis and detailed images.

Born in the West-Coast of the United States in the late 60's of XX century, the hyper-realism was promoted in Europe by the Documenta V (1972) in Kassel and was confirmed by exposure presented ULDO Kulterman Paris under that name.

hyper-realistic artists try to seek, with the most radical verismo, a transcript of reality using the technical and manipulating photographic images. Achieved with oil painting or sculpture, the same detail and offers the picture frame.

In North America, where pop art was deeply arctan, hyper-realism is working from the painted reproduction of objects of consumption and corresponding advertising images. In this line we find the manual reproduction of photographs, which is the essence of American hyper-realism. Check and Don Eddy on your images give us boring aspects characteristic of civilization mass with the same objectivity of a camera that works mechanically. In fact, transferred to plastic culture experiences acquired in the image.