* Remember that the English original is here: http://davidghiyam.tumblr.com/
Thursday May 21, 2009
Day 7 Week 6: Yesod Malchut
When we focus on negative aspects others fail to see the ego in us. Remove that EGO in us is what brings us to the Light of the Creator, and not fix the other person.
Rav Asher Baruch was known for treating each person as if they were just souls, wise and Tzadik. The praying and asking the Creator cried every night never see the bad in another human being.
Why is this so important?
is said that all the chaos we created from our negative actions with us like a cloud and that the only way it can come into our lives is when we judge another human being, when we are focusing on the negative aspects of others to judge.
When we focus on seeing what good in others, is for our own benefit. Exercise
day: now looking good in every situation and every person. Especially when it's hard, looking good.
Love,
Diego Velazquez was the first son of a gentleman not too rich from a family originally from Portugal, Oporto perhaps, although born in Seville, Juan Rodriguez, and Jerome Velasquez, also a woman of ancestry but low equity. On the day of his baptism, John began the bells on the fly (after paying a small fee to the clerk), then invited the relatives to cakes and claret 
my daughter married him, moved by his virtue, cleanliness, and good parts, and the hopes of its natural and great wit. And because the honor is greater than that of father-teacher, was just clogging the audacity of someone who is claimed that glory, taking off the crown of my later years. I have no advantage by dwindling teacher to disciple, or lost Leonardo da Vinci Rafael have a disciple, George of Castelfranco or Titian, or Plato, Aristotle, they did not remove the name of God. " Conquering 
In Seville, during what has been called, artfully erudite historian, the first time (although the work of Velázquez is the result of a relentless pursuit), following the style of mannerism and Venetian art students like John of Roelas, but adopting the impressive chiaroscuro of Caravaggio, though the latter influence has been discussed. However, Velazquez will choose soon on Baroque realism, followed equally by Zurbarán and Alonso Cano, bold and shuddering, grave and full of contrasts. The 
No museums of Leningrad and Budapest, as well as three musicians, which, however, disappears humor to focus the issue on the description of the battered dignity of the protagonists. Even more curious is how, at that time also, it uses the charge of religious affairs to lend a sardine and its ember, leaving a far end the episode's title picture, go to the foreground characters rough representation of people and where they accumulate detailed still lifes of objects of the poor everyday. This is the case of Christ in the House of Martha and Mary, picture in acquiring full significance the kitchen and its inhabitants, fish, vessels, the most humble. The Museo del Prado 
During the thirties and forties of the century was the painter Velázquez not only his spineless king, but of the "vermin of the palace", the clowns and Child Vallecas, and after his second trip to Italy to buy works art on behalf of His Majesty, his palette produced three masterpieces unsurpassed and extremely familiar. The Toilet of Venus, preserved commend Bobo de Coria, Diego de Acedo the Primo the National Gallery in London, is renowned as one of the few nude English author of the era that have survived, although it would involve up to three more the painter from Seville, for which the model may serve as the scandalous and beautiful actress Damiana, wild lover Heliche Marquis. 
soon forget that it was a mythological theme (the story of Pallas and Arachne) longstanding believing that it was a gender box. 
adro first level include the Mari-dwarf and dwarf Bárbola Pertusato Nicholas, trying to wake up to the foot of a hound lying on the floor. Behind this group there are two figures, and finally, beside the staircase, we see the butler to the queen. 
For personal efforts of Philip IV, Velázquez receive a year before he died in Madrid on August 6, 1660, the coveted award of Knight of the Order of Santiago, a not granted honor never before or since to any painter. And although, to demolish the church, no one remembered that his remains had been buried in the parish of San Juan Bautista, where in 1990 he organized a grand retrospective of his work at the Museo del Prado, thousands and thousands of people from all cardinal flowed incessantly to laugh idiot jester gesture Calabacillas, admire the brushwork that captures the dress of a princess, horses stamping interrogate the Count-Duke of Olivares and breathe the air stilled dim XVII century and immortalized in the paintings of Velázquez. 
history painter known, according to Arturo Uslar Pietri virtue as an artist has been painting for teaching history. His real name was Antonio Salas Díaz British. His father, José Antonio Salas, was one of the first traders who established a brewery in Venezuela. The studies began painting at the Academy of Fine Arts in Caracas 
Between 1907 and 1908, he traveled to Spain where he painted a series of works based on the observation of scenes and customs. 
end of his life, at home remote colonial worked intensively works Petare medium and small format. In 1970, shortly before his death, painted rooms to the presidential residence "La Casona" in Caracas, a work entitled the successors, which represents a set to the presidents of the Republic of Venezuela that ruled during the nineteenth century. 
His parents were of Italian origin and had come to Argentina along with thousands of immigrants. Berni was a child prodigy who at age fourteen his first exhibition. Dedicated to paint landscapes and portraits, made three consecutive exhibitions and critical writing with enthusiasm about their jobs. In 1923 he exhibited for the first time in Buenos Aires and in 1924 began his submissions of works to the National Exhibition of Fine Arts who was then the most important public tender in the country had para pintores y escultores. 
restless will constantly finding incentives for their own works. During the five years living in Paris intellectual bohemian haunts of the city and known writers, poets, filmmakers, politicians, philosophers and artists from different countries who agree on the French capital. These were years of strong cultural transformations after World War Ptimera; of the Russian revolution, the spread of socialism, had appeared in psychoanalysis and 
propose different languages. The world is changing and the role and problems of art as well. Bemi attentive to all that attended, along with other Argentine artists then living in Europe and Raquel fomer, Alfredo Bigatti, Horacio Butler and Lino Enea Spilimbergo, one of his closest friends. 
At the same time, meet one of the most important avant-garde artists of the time: the 
one of them, David Alfaro Siqueiros, who Berni works and discusses the role of art in the revolution of the masses. 
are two people in the slums, suburban sprawl has emerged around these industrial centers in the coun-development, where houses are poor and its people mired in poverty and homelessness. 
