Monday, April 20, 2009
Cervical Polyp Removal Period
When he turned thirty, Kandinsky left teaching and went to study painting in Munich, giving up a future which has become academic. In this city attended the classes of F. Stuck and they met Paul Klee, with whom he maintained a sincere and long friendship. His interest in color is present from the beginning of his career, and can be seen in his earlier paintings the influence of posti MPRINT, Fauvism and German Jugendstil. Between 1902 and 1907 Kandinsky made countless trips to France, the Netherlands, Tunisia, Italy and Russia, to settle finally in Murnau, where he painted a series of alpine landscapes between 1908 and 1910. As he recounts in his biography, then realized that the representation of the object in his paintings was 
secondary and even harmful and that beauty of their work lay in the rich color and formal simplification. This discovery led to a continuous experimentation culminating in late 1910 with the final conquest of abstraction. Kandinsky merged the color of the Fauves freedom with the manifestation of the artist's existential impulse proposed by the German Expressionists of the orbit of Dresden, in a synthesis tinged lyricism, spirituality and a deep fascination with the na
and
TURE forms. Between 1910 and 1914 Kandinsky painted many works which he grouped into three categories: prints, inspired by nature, improvisations, expression of inner emotions, and the compositions, they pooled the intuitive with the most demanding compositional rigor. These paintings are characterized by the articulation of bold black lines and bright colors in them a little is still perceived the presence of reality.
In 1911 he founded along with Franz Marc and August Macke Der Blaue Reiter group, organizing exhibitions in Berlin and Munich. Parallel to his creative work, reflected on the art
and its close link with the inner self in many writings, especially the Spiritual in Art (1910) and Der Blaue Reiter Almanac, which, together to drawings and prints by members of the group, appeared other arts, as scores of Schoenberg (Kandinsky remained a constant and fruitful relationship with music throughout his life) and samples of folk art and children. the outbreak of World War I, Kandinsky returned to Moscow and there he undertook a number of organizational activities within the Department of Fine Arts of the People's Commissariat of Education. In 1917 he married Nina Andreievsky and four
years later moved with her to Germany to join the Bauhaus in the first stage of Weimar, where he would continue as a teacher until shortly before its dissolution.
The environmental influence of the Bauhaus was felt, and his work underwent a transition to a more structured, both compositional and formal, which has been called the architectural period of his painting, which was followed by a transition in which experimented with
concentric circular strokes (Circles, 1926). He also wrote manifestos for the Bauhaus and published the book Point and Line to Plane. In 1933, the closing of the Bauhaus by the Nazis, the artist moved to France. In this last stage of his life he continued in his quest to find inventive ways, who depicted by color combination in a complex manner and drawing on geometric signs and Slavic motifs, as it did early in his career painting.
secondary and even harmful and that beauty of their work lay in the rich color and formal simplification. This discovery led to a continuous experimentation culminating in late 1910 with the final conquest of abstraction. Kandinsky merged the color of the Fauves freedom with the manifestation of the artist's existential impulse proposed by the German Expressionists of the orbit of Dresden, in a synthesis tinged lyricism, spirituality and a deep fascination with the na
and TURE forms. Between 1910 and 1914 Kandinsky painted many works which he grouped into three categories: prints, inspired by nature, improvisations, expression of inner emotions, and the compositions, they pooled the intuitive with the most demanding compositional rigor. These paintings are characterized by the articulation of bold black lines and bright colors in them a little is still perceived the presence of reality.
In 1911 he founded along with Franz Marc and August Macke Der Blaue Reiter group, organizing exhibitions in Berlin and Munich. Parallel to his creative work, reflected on the art 
and its close link with the inner self in many writings, especially the Spiritual in Art (1910) and Der Blaue Reiter Almanac, which, together to drawings and prints by members of the group, appeared other arts, as scores of Schoenberg (Kandinsky remained a constant and fruitful relationship with music throughout his life) and samples of folk art and children. the outbreak of World War I, Kandinsky returned to Moscow and there he undertook a number of organizational activities within the Department of Fine Arts of the People's Commissariat of Education. In 1917 he married Nina Andreievsky and four years later moved with her to Germany to join the Bauhaus in the first stage of Weimar, where he would continue as a teacher until shortly before its dissolution.
The environmental influence of the Bauhaus was felt, and his work underwent a transition to a more structured, both compositional and formal, which has been called the architectural period of his painting, which was followed by a transition in which experimented with concentric circular strokes (Circles, 1926). He also wrote manifestos for the Bauhaus and published the book Point and Line to Plane. In 1933, the closing of the Bauhaus by the Nazis, the artist moved to France. In this last stage of his life he continued in his quest to find inventive ways, who depicted by color combination in a complex manner and drawing on geometric signs and Slavic motifs, as it did early in his career painting.
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