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Iman Maleki Iranian Artist. (Tehran, 1976)


Iman Maleki (Tehran, 1976) Iranian painter. This artist is little known, but their works are works of art beautiful, for any painter is a magnificent cry to plastic art from an early age

felt the vocation for painting, graduating from the University of Art Tehran as a designer and studied with the best hyper-realistic painter of Iran, Morteza Katouzian, perfecting a technique detailed almost photographic realism. He was awarded the William Bouguereau and the "Chairman's Choice" at the Second International Competition Art Renewal Center. Some consider him the best painter of realist art in the world. His paintings m ur simplicity of the Iranian people and the harshness of reality in that move, with occasional poetic touches and surrealist painting everyday life of the Iranian people, is considered by many as a realist with perfect touches on their strokes, perfect expressions and nuances in their work, presented their creations a reality in the painting that few painters have been able to achieve, is one of the Iranian artists with exceptional ability in the arts ..

Some consider him the best painter of realist art in the world. "His drawings compete with digital camera 10 Mega pixels ", say experts on the matter.
Others see it as a hyper-realistic painter. Realistic Art


realistic art is configured as a movement that tries to capture the reality objectively. It extends to all fields of human creation but had a special importance in the literature. In the case of the fine arts, realism achieved the maximum expression in France, almost exactly in the middle of the nineteenth century.

the birth of realism nt

Since earlier times revealed a weariness of the Romantic values \u200b\u200band the desire among the most restless artists to incorporate more direct experience and objective in their work. The process is gradual but quick, and between romanticism and realism established continuity, but their ideological and formal approaches are very different.

also establishes a complex relationship between realism and the academic, because there is still competition between the two clear. It is also true that they influence each other. Thus, while realist painters are sample excluded from major official academic painting showed its increased attention to the direct observation of nature and reality of the moment.

realistic art Ideology

From an ideological point of view, realism is linked to socialist ideas more or less defined. Although clear differences between different authors, it is generally seen an interest in the situation of the underprivileged classes of society resulting from the Industrial Revolution. Some, adopting an attitude absolutely committed to the interests of the proletariat, participate in political events and makes a combative art. Others maintain a more moderate stance, and somehow sweeten his vision of reality.

All share an aesthetic based on the direct representation of reality. The way materializes this basic principle objective ranges from the harshness of Courbet to the graphical simplification Daumier, idealistic filter through of Mollet. In any case, all share the radicalism of the topics to the importance they attach to the romantic theme and scholarship, the realistic art understands that there is no trivial issues and that, therefore, any question may be the subject of pictorial interest.

This approach is extremely important in a time when the paint is subject to special rules of official criticism: the issues, attitudes, compositions and even the tables measures must conform to these rigid criteria. In this situation, defend a realist painter painting without argument, a simple abstraction of reality, which essentially is the way it represents the image and sound, not its narrative development.



realistic artists Gustave Courbet (1819-1877) is a realist painter who maintains a strong political commitment more personal. Like Delacroix, he believes the painting is a powerful tool in the fight to defend their ideas. However, Courbet distance very clearly from its predecessors in the way of understanding art.

Courbet rejected the reality that surrounds him, but instead of fleeing, what you do is show us in all its rawness to share with him the same feelings of rejection and, consequently, react against.

Jean-François Millet (1814-1875) is one of the most controversial figures of French realism. His painting has undeniable appeal that has won him favor with the public. However, critics and historians have accused him of betraying the true spirit of realism poruq sweetens over the life of the peasants, his great theme, to make it acceptable to bourgeois taste.

Honoré Daumier (1808-1879) is another great realistic art. He was a painter, sculptor and cartoonist, and in all its facets is shown as a keen observer of reality ready to criticize hardness, but also with a touch of tenderness.



Hyper-realism is also known as photo-realism or radical realism, the hyper-realism school of painting is the absolute realistic trend of history. The Hyper-realism aims to offer a version minutes itis and detailed images.

Born in the West-Coast of the United States in the late 60's of XX century, the hyper-realism was promoted in Europe by the Documenta V (1972) in Kassel and was confirmed by exposure presented ULDO Kulterman Paris under that name.

hyper-realistic artists try to seek, with the most radical verismo, a transcript of reality using the technical and manipulating photographic images. Achieved with oil painting or sculpture, the same detail and offers the picture frame.

In North America, where pop art was deeply arctan, hyper-realism is working from the painted reproduction of objects of consumption and corresponding advertising images. In this line we find the manual reproduction of photographs, which is the essence of American hyper-realism. Check and Don Eddy on your images give us boring aspects characteristic of civilization mass with the same objectivity of a camera that works mechanically. In fact, transferred to plastic culture experiences acquired in the image.

How Does A Masterbation Look Like

Séraphine (Seraphine de Senlis) 1864-1942



The following will is a summary taken from: BIHALJI-Merino, Oto: Naive Art, ed. Labor, Barcelona, \u200b\u200b1978. ISBN: 84-335-7558-9, pp.

45-46 Footnotes are Mercedes García Bravo.
"Seraphine Louis, sometimes cited as Seraphine de Senlis, born in 1864 in Assy (Oise). Never studied painting, and during the times of his childhood, when he was pastor, or later, while working as a maid. [1] When did you start with shapes and colors translate their dreams and their impulses? Why would I? We know very little about the intimate drama of his little self. And perhaps even less than his art would know if fate had not met one man who, impressed by the imagination of Rousseau, followed the footsteps of the early modern. The ignorant world

took the humble servant of Senlis. But she had been called to see, to look through the racks perishable temporal, and to announce the eternity. (...) "

NOTES:

[1]-Séraphine Louis was born in Arsy (Oise) 3 September 1864. His father was a worker, as the birth certificate, and his mother came from a peasant family. When Seraphine had only a year her mother died. His father, who had remarried, died six years later. Orphaned, she lived with her older sister. He began working as a pastor, and from 1881 worked as assistant at the convent of the Sisters of Providence, in Clermont (Oise). In 1901 he began working as a servant in different houses of Senlis.


[2]-Willhem Uhde: collector, art dealer, gallery owner and art critic, the name of Wilhelm Uhde is associated with the Parisian artistic avant-garde of the early twentieth century. In 1908 he married the painter Sonia Delaunay. After engaging in buy and exhibit the work of Impressionists and Cubists, he began to devote much of his energy and his fortune to the painters "naive" or naïve, who preferred to call "modern primitives" and also called "painters Sacred Heart "in the first exhibition devoted to them in Paris in 1929, with works by Henri Rousseau, Seraphine de Senlis, Camille Bombois, Louis Vivin, André Bauchant ...
More: Biography of Wilhelm Uhde (Fellow guests)

[3]-His technique completely particular, was the use of paint-the most common Ripolin market, mixed with wax candles that took her in the church cemetery excavated soil and other areas of his own blood, which drew its wounds and gave life to your pictures ...

[4]-Seraphine began painting, he said, an indication of the angels and the Virgin. When leaving the privacy of your room going to talk and hug the trees and flowers.

[5]-Seraphine Louis, who was born the same year as Camille Claudel, lived his last years as a sculptor, who only survived him one year, committed to a mental asylum. He died on December 11, 1942, at age 78, in an annex to the hospital at Villers-sous-Erquery due to massive doses of tranquilizers, physical deprivation and lack of food during the German occupation of France in World War II and were fatal to the thousands of men and women living in psychiatric facilities. She was buried in a mass grave. 
('s house in Senlis Seraphine Louis)

In 1912 Wilhelm Uhde [2] moved to Senlis to rest in the peace of the old town of the Ile de France, near Paris and at the same time, away from the hubbub. Every morning came a woman to clean the house. Uhde barely noticed it. One day he saw in a house in Senlis a still life of apples that caught his attention. Asked the painter's name. << ¡Es su asistenta Séraphine!>> So far fate had guided the blind. Now that could take care of the static Uhde bouquets grow to become mighty trees in fantasy. (...)
Uhde says Séraphine kept strictly secret of his painting. No one could look as she painted, when mixing colors and preparing the canvas for all took place with perfect craftsmanship. [3] He lived a monastic retreat in his little room, whose fire always burned on an eternal light to the Virgin. [4]
Small, worn with dark burning eyes and her pale face, painted in a kind of trance, mystical gardener, the flamboyant bouquets behind which is hidden temptation of all that is holy. Intercourse with fruit plants surrounded by tabs, ornaments made of sumptuous foliaceous delicately colored feathers, in which nerve glowing eyes open. Mesh strange rustling and lascivious branches with strings of pearls consisting of berry bush tenderness and starry umbels garden of pleasures. (...)
(...) All the lights and the embers of his dreams went out one day. Then he wandered from house to house and preached to the world. His spirit had been empty and unbalanced. In 1934 he died in a nursing home in Clermont. [5]
To Séraphine art was a revelation. For her painting "As for Van Gogh was an act of affection. It was as if redeemed by the act of creation. With eyes open immensely walking blindly through the uniform monotony of his little life.

Light and tragedy
Seraphine de Senlis
October 27, 2008 Senlis (Arsy, 1864 - Villers-sous-Erquery, 1942). What tragic fate ...

his [.. ]
Seraphine was a poor woman, orphaned, uneducated maid who painted alone, blindly, in an infinite solitude. Until I discovered a great dealer, collector and man of sensibility, Wilhelm Uhde, the man who won for her a place in art history. Before she plunges into the bottomless pit of insanity. His work was not completely unknown. There are things about him at MoMA New York, for many years. In his day he published a biography of reference (Alain Vircondelet, Seraphine de Senlis, 1986).
Suddenly, this fall, the Musée Maillol a major retrospective devoted to it, published a new biography (Francoise Cloarec, Seraphine - La vie reve de Seraphine de Senlis, 2008), even opens with some success a film dedicated to his life relations with Wilhelm Uhde, and his tragic end in a psychiatric asylum.




The flaneur who discovers by chance his works mysterious, disturbing, at times, a rare beauty, very powerful, questions his place in art history: that of a very pure light, shining in the firmament of dead stars.

Seraphine Louis (1864-1942) represents a unique case in the history of painting. Completely self-taught, Seraphine began painting at age 42 because "heard a voice asked him." As old-fashioned, it was itself based paint mixing land, pigments and all kinds of products that always kept a jealous secret. Orphaned at age seven, was raised by his sister. She worked cleaning houses of the bourgeoisie and began to paint flowers, plants and trees in a completely personal. Séraphine not seem to get influenced by other painters, but it shows how unique.
seraphine-louis in 1920 Séraphine
Her ob ra


was released thanks to his early paintings, still lifes small, accidentally fall into the hands of a German collector Wilhelm Uhde, a friend of Braque and Picasso, the house cleaned. Unfortunately

Séraphine who leads a life mired in poverty, gradually falls into madness, and is committed by "chronic psychosis" in the psychiatric hospital where he continues painting Clermont.

dies December 11, 1942 with 78 years of age at the hospital at Villers-sous-Erquery under the harsh conditions of the asylums in France under Nazi occupation, was buried in a mass grave. Seraphin Louis, there are 70 to 80 frames scattered over the Maillol Museum, the Art Museum in Nice and naive art museum Senlis.

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Francis Bacon - Irish Artist - 1909 to 1992