OMER OMER
on Friday May 15, 2009.
Day One Week 6: Hesed of Yesod.
In Kabbalah, we spend most of their time searching our "junk" and the process may be that we ignore our gifts. We are constantly focusing on love and giving to others, but we can forget the importance of love and care for ourselves. You
love, pamper and try the aspects of your life that bring you joy before you can truly love and care about others.
Exercise of the Day: What things in your life bring you joy, happiness and help you to appreciate you for who you are?
Love,
Friday, May 15, 2009
Wednesday, May 13, 2009
How Much Cost A Bunionette Surgery
Antonio Salas Díaz
Born in Caracas the 8.5.1887 18.3.1974 Died in Caracas
history painter known, according to Arturo Uslar Pietri virtue as an artist has been painting for teaching history. His real name was Antonio Salas Díaz British. His father, José Antonio Salas, was one of the first traders who established a brewery in Venezuela. The studies began painting at the Academy of Fine Arts in Caracas
. After winning first place in the annual competition of the Academy (1901), travels to Paris in 1905 to enroll at the Académie Julian where he studied under Jean Paul Laurens. During this time also attends the school in La Grande Chaumiere where he studied the painters Lucien Simon, Courtois and Prinet. That same year, submitted a work to the official Salon in Paris. In 1906, he won a gold medal for his composition The San Genaro. During this period he traveled to Italy, where it is impacted by the work of painters Tiepolo, Tintoretto, Titian, especially, for the historical genre cultivated by these teachers.
Between 1907 and 1908, he traveled to Spain where he painted a series of works based on the observation of scenes and customs.
In 1908, gets the gold medal at the Brussels Expo. He returned to Venezuela in 1911 and brings the triptych of Simon Bolivar which is currently in the Federal Palace. The historian Vincent Lecuyer, to advise the work of restoration of the Casa Natal de Bolívar, Tito Salas entrusted the work of decorating the walls of the building with scenes from the life of the Liberator (1913). During that time, Chambers produced among others, the following paintings: The migration to the East, The Marriage of Bolivar and Maria Teresa, Expedition of
Keys, The earthquake of 1812. Upon completion of his work in the birthplace (1931), Salas is commissioned murals for the National Cemetery, which ends in 1942. Although his work as a painter of historical subjects has overshadowed his work as a landscaper, do not forget that highlights Salas Among the artists who have contributed to developing the tradition of modern art in Venezuela since 1900. By the
end of his life, at home remote colonial worked intensively works Petare medium and small format. In 1970, shortly before his death, painted rooms to the presidential residence "La Casona" in Caracas, a work entitled the successors, which represents a set to the presidents of the Republic of Venezuela that ruled during the nineteenth century.
history painter known, according to Arturo Uslar Pietri virtue as an artist has been painting for teaching history. His real name was Antonio Salas Díaz British. His father, José Antonio Salas, was one of the first traders who established a brewery in Venezuela. The studies began painting at the Academy of Fine Arts in Caracas . After winning first place in the annual competition of the Academy (1901), travels to Paris in 1905 to enroll at the Académie Julian where he studied under Jean Paul Laurens. During this time also attends the school in La Grande Chaumiere where he studied the painters Lucien Simon, Courtois and Prinet. That same year, submitted a work to the official Salon in Paris. In 1906, he won a gold medal for his composition The San Genaro. During this period he traveled to Italy, where it is impacted by the work of painters Tiepolo, Tintoretto, Titian, especially, for the historical genre cultivated by these teachers.
Between 1907 and 1908, he traveled to Spain where he painted a series of works based on the observation of scenes and customs. In 1908, gets the gold medal at the Brussels Expo. He returned to Venezuela in 1911 and brings the triptych of Simon Bolivar which is currently in the Federal Palace. The historian Vincent Lecuyer, to advise the work of restoration of the Casa Natal de Bolívar, Tito Salas entrusted the work of decorating the walls of the building with scenes from the life of the Liberator (1913). During that time, Chambers produced among others, the following paintings: The migration to the East, The Marriage of Bolivar and Maria Teresa, Expedition of
Keys, The earthquake of 1812. Upon completion of his work in the birthplace (1931), Salas is commissioned murals for the National Cemetery, which ends in 1942. Although his work as a painter of historical subjects has overshadowed his work as a landscaper, do not forget that highlights Salas Among the artists who have contributed to developing the tradition of modern art in Venezuela since 1900. By the
end of his life, at home remote colonial worked intensively works Petare medium and small format. In 1970, shortly before his death, painted rooms to the presidential residence "La Casona" in Caracas, a work entitled the successors, which represents a set to the presidents of the Republic of Venezuela that ruled during the nineteenth century.
Tuesday, May 12, 2009
Brent Everett Y Brent
Day 36 Day 34: Escaping Egypt. Unconditional Love
Mayo 13, 2009.
Día 6, semana 5: Yesod de Hod.
Porque es tan fácil para nosotros mantenernos siendo los mismos y porqué el camino del cambio es tan difícil?
En el libro Simple Light de Karen Berg, ella comparte un bello concepto para explicarlo.
“La Biblia dice que cuando los Israelitas dejaron Egipto, Moisés no los sacó por un camino recto. Al contrario, Moisés los dirijó de tal manera que no pudieran encontrar el camino de vuelta a Egipto. En la ruta que tomaron, experimentaron muchas dificultados. La lección aquí es sencill: Para poder avanzar a un nivel más alto de espiritualidad, debemos abandonar el way we know and venture into the unknown. "
Egypt
Our staff is very comfortable, even when it is full of chaos, is what we know and where it is very easy to stay or even regress. We are familiar and therefore, for our own benefit the Creator sometimes lead us down a path filled with detours, obstacles and unknown places, this for our own good, to help us to move forward, step by step. Exercise
day: Where is your personal Egypt? What things in your life are familiar and comfortable and prevent you to proceed, the growth? Today, make the decision to step into the uncomfortable.
With love.
* This is only my translation, original text can be found here: http://davidghiyam.tumblr.com/
Mayo 13, 2009.
Día 6, semana 5: Yesod de Hod.
Porque es tan fácil para nosotros mantenernos siendo los mismos y porqué el camino del cambio es tan difícil?
En el libro Simple Light de Karen Berg, ella comparte un bello concepto para explicarlo.
“La Biblia dice que cuando los Israelitas dejaron Egipto, Moisés no los sacó por un camino recto. Al contrario, Moisés los dirijó de tal manera que no pudieran encontrar el camino de vuelta a Egipto. En la ruta que tomaron, experimentaron muchas dificultados. La lección aquí es sencill: Para poder avanzar a un nivel más alto de espiritualidad, debemos abandonar el way we know and venture into the unknown. "
Egypt
Our staff is very comfortable, even when it is full of chaos, is what we know and where it is very easy to stay or even regress. We are familiar and therefore, for our own benefit the Creator sometimes lead us down a path filled with detours, obstacles and unknown places, this for our own good, to help us to move forward, step by step. Exercise
day: Where is your personal Egypt? What things in your life are familiar and comfortable and prevent you to proceed, the growth? Today, make the decision to step into the uncomfortable.
With love.
* This is only my translation, original text can be found here: http://davidghiyam.tumblr.com/
Subscribe to:
Posts (Atom)