Tuesday, March 3, 2009

M Jak Miłość Dvd




In the spring of 1907, "I just turned exactly one hundred years, Paul Picasso created "Girls of Avignon", the box that gave rise to cubism and influential began a revolution in the arts. He was twenty years. Avignon was a street in Barcelona where there was a notorious brothel, but it was also the way in which Picasso used to buy its colors, drawing paper, watercolors, while residing in that city. Picasso frequented in those days the Ethnographic Museum in Trocadero, later called the Museum of Man, was fascinated by African and Polynesian masks. Many of his acquaintances bought these costumes in the shop of Père Sauvage, in the Rue de Rennes. Constituted a huge impact on pupil the painter who, until then, had gathered in the universe images of acrobats and circus performers miserable or was immersed in the sentimental atmosphere of the blues and pinks that more adequately express their emotions. Originally

Picasso tried to picture the central figure was a sailor, frequent protagonist in the life of the brothel, surrounded by prostitutes. This representation of sailor found in many of the preparatory sketches of the painting. Also featured a basket of fruit from which women were eating. In the final version of the ocean and fruit disappeared. Until then, the artists painted what they saw from that picture to represent painters spend what they conceive. It is no longer obvious, as reflected by the senses, the brain is what counts, perceptive intuition, the reality thought is valid, not the context provided. That's the big shock that triggers Picasso, comparable only to the seizure effervescent Cezanne created when proved that the artwork is a part of nature seen through a temperament. As André Malraux said, throughout the history of the nineteenth century had weakened the imagination. The desire to chart a sustainable manner the fact of political or military, (vg. Napoleon in campaign or the portraits of illustrious heads of state) not allow the expansion of the free fantasy or creative. Operating end of the century emancipation of forms.
Cezanne died in 1906, the following year broke the seditious cry of "The Girls of Avignon." The master of Provence was instrumental in the construction of the eye that would see the cubism and all else would follow. Previous Picasso that period elapses for a period of great hardship. You have to sell paintings and drawings to be paid soup boullabaise. " But the art dealer Ambroise Vollard appears in his studio one afternoon and bulk buying everything you see there and paid two thousand francs, a fabulous sum in that time. With that money gives Picasso a dream return to their home country, lives in the countryside, Gosol near Andorra. Fernande, his wife, he is less savage, brighter, more lively, it is clear "irradiation happy."
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these roots with the strain of origin when he painted "The Girls of Avignon." that time is of the famous portrait of Gertrude Stein, shaped like a marble block, a commanding presence, monumental and dense. From there comes the comment: "not like" and Picasso's famous response, "and will look". Stein is time after the hair cut and Picasso in the street and screams of surprise: "What has happened!" "Why?" explores the writer. "You're not my picture!" When he finishes "The Girls of Avignon" Max Jacob one of them says, "is like my grandmother." Since then, close friends call the picture "Max's grandmother." Who named the picture with its present name was André Salmon. Picasso always said that this name was irritated, but did nothing to change it.
The experimental creative audacity and Picasso created "Girls of Avignon" a dividing line in time and gave birth to a new school building. Picasso said to begin a painting is a kind of murder of the beautiful, we must reject many temptations aesthetic and destroy the work redoing it many times. He added: "Success is the result of findings rejected." Picasso never wanted to sell because he saw this work unfinished. For many years only his close friends were able to appreciate it. It was Jacques Doucet, who managed to buy in 1920. Was exposed only once in Europe at the Petit Palais in 1937. Today is one of the most prestigious paintings of the Museum of Modern Art in New York and his fame comes from being the work of creation ended and gave a birth to another.

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